Monday, 8 June 2015

TV Review - Game of Thrones (S05E08) "Hardhome"

(This review contains spoilers for episode 8)

Well after five years of buildup, we can say winter is finally here. Not in terms of snow and ice – we've already seen plenty of that – but in terms of its deadliest element: the mysterious White Walkers. “Hardhome” is an episode where not a whole lot happens. The Winterfell and King's Landing subplots are merely stalling for the finale, but this is made up for in Meereen and north of the Wall, where Game of Thrones reaches some key turning points. This is an episode that's every bit as crucial as “The Rains of Castamere”, but whereas that episode is notorious for its twist ending, “Hardhome” deals with plots that we've seen being set-up since day one. The Lannister and Targaryen destinies become intertwined for the first time in almost twenty years while the White Walkers give the Stark words a terrifying vindication.

The meeting between Tyrion and Daenerys was an interesting one, because it fundamentally changes the course of the story, yet neither character behaves any differently to how we've expected them to. Tyrion gives dry commentary while drinking heavily (Daenerys cottons onto his vice pretty quickly) while Daenerys gives more speeches on how she's going to tear the oppressive Westerosi hierarchy asunder.

I think it's time to be brutally honest: I'm not much of a fan of Daenerys Targaryen. I can see why people love her so much (her character arc, her pets, her compassion mixed with her coldness) but personally she just doesn't do much for me as a character. Maybe I'm just jaded because her subplot has been cut off from every other storyline for years, and the only reason I care now is the introduction of Tyrion, a character I find much more interesting. Maybe it's because her grandiose speeches feel somewhat hollow given how there's still no guarantee that she's suppressed the counter-revolution against her. As I said before, how can she be expected to rule Westeros if she can't keep the peace in one city?

Another reason Daenerys's reputation feels hollow is that one of her greatest assests (her dragons) are too dangerous for her to handle. They're the ultimate symbol of her family's power and yet she has to keep two of them locked up with the third has gone AWOL. I'm just not convinced that she's as much of a badass that the series wants her to be. Again, I'm not saying she's objectively a bad character as I can see why people would love her. It's just that on a personal level of character investment, Daenerys (along with her entire court) is way down at the bottom for me along with Bran Stark, but that's another story. I can appreciate that Tyrion and Daenerys meeting is a turning point for the series, but for me it's Tyrion that makes it worthwhile.

The other event of note is of course the White Walkers' attack on Hardhome. This is preceded by a Night's Watch delegation to broker peace with the wildlings. The meeting goes fairly well given how they've been at each other's throats for centuries, but this only makes it all the more tragic when the entire population are converted to the White Walkers' army. In the past we've seen characters cut down in their prime and used as red herrings to fool the audience about where the story might be going. In this case, instead of a person it's an alliance between two sides that gets shot down. The episode does give some little character touches that work to sell the horror of the White Walkers' plan, when their humanity is taken away to become part of their army. A wildling warrior being eaten alive by zombified children was a particularly effective way of showing this.

The battle itself is filmed very well. The use of fog and smoke gave the scene an eerie quality and also worked well in the initial stages of the assault. At the start it seemed as if Hardhome was being attacked not by an army, but by the forces of nature. In one sense that's exactly what the White Walkers are, but this contrasts with their perverse recruitment of the dead to their cause. I liked the use of practical effects for the skeletons as they attack the gates. The screams on the other side giving way to silence was one of the most chilling scenes I've ever seen. On the other hand, Wun Wun's casual trampling of his enemies gave the scene some nice comic relief while also showing our heroes aren't totally outmatched.

The White Walkers are also given a face in the form of the Night King, who proves to be as frightening a villain as any we've seen without having to say a word. His silence contrasts with the human villains we've seen. Tywin Lannister, Littlefinger, hell even the Boltons (to an extent) can be bargained with. The political ties and agreements we've seen (like the Boltons' alliance with the Lannisters) are based on the concept that one side needs something from the other. The game of thrones itself is based on diplomacy and using other people's needs to your own advantage.

But as people like the High Sparrow show, the rules of the game are changing. More absolutist figures are becoming more prominent, who don't care about compromise or negotiations and only want to pursue their own goals to the end with a single-minded determination. The Night King seems to represent the zenith of that philosophy; he only wants to conquer the world (it appears) and why bother with negotiations when you can turn your own enemies to your side once you've killed them?


The silence as the stragglers sail away from Hardhome encapsulates this. It contrasts with the very human arguments in the tent before the assault; hundreds of clamouring voices all turned to one purpose. The march of the dead on Westeros looks inevitable and the game of thrones seems pretty trivial now.

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