The Invisible Man is
one of H.G. Wells's most iconic works. Like some of his other famous
stories, it warns about the danger of science when combined with
ruthless egoism. The story begins in the English village of Iping,
where a strange man lodges at a local inn. He obsesses over his work
and is hostile to any contact from the outside world. When the people
discover his secret, the man goes on the run and becomes an almost
mythic figure, as the authorities and inhabitants try to track him
down.
I
would say that the earliest part of this story is the best, where the
Invisible Man (known as Griffin) tries to keep his secret at Iping.
The story here isn't told from his perspective, but from the
villagers, as they try to piece together the strange goings-on that
surround him – his unfriendly manner, dogs barking at him,
robberies and haunted furniture. Even with foreknowledge of the
twist, I felt the build-up here was well executed. The story strikes
a good balance between comedy and unease. It's the tone and
atmosphere that makes this part of the story, rather than
characterisation – the lodger is a cypher, and the villagers are
one-dimensional.
The
plot ratchets up when Griffin is forced to go on the run, and preys
on a traveller named Thomas Marvel, using him to steal his books and
scientific instruments from under the townspeople's noses. Marvel is
also not very developed, but Wells conveys enough of the fear and
confusion of his situation to make him sympathetic. The tension
between Marvel and Griffin also added to my interest, as I had no
idea how this dynamic would play out.
Halfway
through the book, Griffin comes across an old acquaintance, a former
fellow student named Kemp, and makes him his confidante. From this
point on, I felt the story became much weaker. Griffin's explanation
as to how he discovered invisibility and how he came to Iping is
necessary, but I felt dragged on for too long. While it's interesting
to see Griffin try and survive the London streets in his condition, I
felt this monologue killed the plot by being too drawn out.
Griffin's
characterisation is the story's weakest point. Whereas at the start
he was cold and violent out of desperation, Wells eventually turns
him into a full-blown psychopath. Griffin dreams of starting a reign
of terror in the English countryside, with Kemp as his right-hand
man. Despite his invisibility, I found this plan too ludicrous to
find at all menacing. To stay completely hidden, Griffin has to stay
naked, leaving him open to the elements. He's also completely
outnumbered and his plan doesn't seem to amount to anything beyond
killing random people. Griffin's bland and unexplained descent into
villainy comes across as a clumsy attempt by Wells to pad out the
final third of the novel by adding a villain. While the story was
never about characterisation, the earlier parts worked strongly
without such broad strokes.
This
also scuppers the story's attempts to show invisibility in a
realistic sense. Griffin's backstory, while lengthy, goes to great
lengths to show the difficulties invisibility would bring. The
megalomaniac he becomes feels like a completely different character.
I
would recommend the first two thirds of The Invisible Man,
as they're an interesting exploration of this “What if” scenario.
The final third, though, doesn't really fit, and left me feeling
dissatisfied with the story as a whole.
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